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Angela Jooste

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Shorter Than The Day, Sarah Sze

so when the light

comes, stay

far into the day

that stretches

close to dark

a constellation

of minutes, hours

that evaporates

in a heartbeat

where all that’s

felt, collapses

into a single touch

just stay

long into the light

of day

Sarah Sze, Shorter Than the Day, 2020

Mixed-media installation

Terminal B, LaGuardia Airport, New York

sze shorter than the day 2020.jpg

Lo stupore è nuovo ogni giorno, Gianni Caravaggio

just to look above

and wonder

how such distant

stars in a sheltering

sky are woven into

the fabric of space

from the beginning

of time, and how

seeing this celestial map

each night anew

is to gaze back through

eons at this now

ancient light

Gianni Caravaggio, Lo stupore è nuovo ogni giorno(Astonishment is new every day), 2008

Installation made from aluminium, talcum powder

76-gianni_caravaggio-kaufmann_repetto-milan-2008-02.jpg

Poems for Earthlings, Adrian Villar Rojas

this relic from the future (alien?)—

on the other side

of knowing

what is

can only be imagined

or believed

Adrian Villar Rojas, Poems for Earthlings, 2011

Site specific sculpture, destroyed

Clay (unfired), cement, burlap, metal, wood

Jardin des Tuileries, Paris

poems 2b.jpg

Tree Huts in Bruges, Tadashi Kawamata

how to be a bird

at home

in these trees

perched on the edge

of a teetering nest,

with the sea on the wind

the paper rustle of leaves

and branches bowing

as if nodding in prayer,

some believe birds

are spirits of the dead

those still tethered

but kept aloft in flight—

navigating a space

of above and below

of what is known and not—

yet there is freedom, not death

for an airborne soul

unbound,

as fragile as any life

balanced

between chaos and peace,

and that takes just a flicker

in time—

a breath-pause—

to cease

to exist

Tadashi Kawamata, Tree Huts in Bruges, 2015

Triennale Brugge, site specific installation at the Bruges Beguinage

Kawamata 4.JPG

Concert in Reverse, Rebecca Horn

in the darkest heart 
of a forest, a turret of stone 
with a pool of black water 
at its centre, flecked 
by impossible stars
sunk deep into 
the bowels of the earth—
they were ordered 
to tie their own noose 
as a serpent wound its
way around a deadened tree
limbs jutting into the bricks
high enough to hang—
the officers with the death’s head
skulls on their lapels, dragged 
the prisoners from their cells 
to an overhanging platform
their black uniforms 
cast in shadows, draped
with sinister wings
by the oil lamps’ flames
while high above a bird pecked
a hammering rhythm, marking 
time with the drops of rain
falling into the watery depth beneath
each sound carved into the silence
awaiting them, their breath 
sucked by fear as the vice 
of death, that twining serpent
ever closer, the ropes finally
hung, waiting to swing
and they took one last glance upward, a futile escape the tower open wide to the sky
above, yet what they finally saw was the light mirrored dark 
and endless below


Rebecca Horn, Concert in Reverse (Das gegenläufige Konzert) 1987/97
Multi-part installation at the Zwinger municipal tower, Münster 

Sculptur-Projekte in Münster 

Horn concert in reverse.jpeg

The Perfect Love Letter, James Lee Byars

words

evaporate

breath to dust

and love

as truth

never has to be

spoken

or marked

James Lee Byars, The Perfect Love Letter is I write I love you backwards in the air, 1974

Performance, Palais des Beaux-Arts, Brüssel

Byars perfect love letter.jpg

Spiral Woman, Louise Bourgeois

with just the sky above

below the earth is gaping

not knowing the way ahead

so that I’m left waiting, suspended

for what, I’m not sure

maybe to simply cut loose

and let myself

fall

Louise Bourgeois, Spiral Woman, 1984

Galleria Borghese installation, Rome (2024)

Galleria-Borghese_Louise-Bourgeois__Installation_view_Spiral_woman_Ph._A._Osio-2-1780x2048.jpg

Lost Words, Chiharu Shiota

words, inspired

divine, arc through eons

shaped by different tongues

migrating as stories told

and prayers incanted

in whispers, at times

stifled as heresy

yet printed boldly

in faded ink

those words still live

inscribed in heart

and soul, the very essence

of being, belief

always to be heard

never to be erased

Chiharu Shiota, Lost Words, 2017

Multi media installation

St. Nikolai Kirche, Berlin

09_LOST-WORDS_Michael-Setzpfandt-683x1024.jpg

Women of Antiquity, Anselm Kiefer

and the book

weighs heavy

the knowing

too immense

to carry

indefinitely

although

she’ll try

Anselm Kiefer, Women of Antiquity, 1999-

Château La Coste in Aix-en-Provence installation (2023)

women of antiquity Kiefer.png

in flight astro (ii), Wolfgang Tillmans

a glimpse

that’s all it took

through a telescope

and the boy fell—

into the sky

flying sidereal

having gazed at

the stars all his life,

longing to reach

the edge

of a boundless

universe, impossible

but he was lost

in the love

of wanting

all mysteries

to be unveiled

before his eyes

 

Wolfgang Tillmans, in flight astro (ii), 2010

Digital pigment print

Tillmans in flight astro.jpeg

Un Mer de Verre Bris, Claudio Parmigianni

where is the way

when all paths

shatter

 

how to navigate

this sea

of shards

 

and the centre

out of reach

in a labyrinth

obstructed

 

no beast

to encounter

only the history

of your own

scars

 

Claudio Parmigianni, Un Mer de Verre Bris (A Sea of Broken Glass), 2009

Le Collége des Bernardins, Paris, France

Parmigianni sea of broken glass 2009.png

Ardna, Mohammed El Hajoui

roots so deep

they can never

be burned,

even as the trees

turn to ash

it nourishes

this land and

the promise

of life, always

 

Mohammed El Hajoui, Ardna, 2024

Installation featuring olive tree and ash

Ardna Hajoui.png

Misbah, Mona Hatoum

we were told tales

before sleep

by lantern’s light

of villains and demons

of angels and saviours

where good triumphed

and hardship was overcome

but we grew beyond these

tales, and the reality

could not be softened

by stories, the truth

being harsher and unforgiving

that home did not mean

safety, that war upended life

and those who

intended harm, too often

they won

 

Mona Hatoum, Misbah, 2006-7

Multimedia installation

d7hftxdivxxvm.cloudfront.net copy.jpg

Fictions, Elsa Guillaume

“Tell me again,” he said

as I spoke over the distance

the professor in Buenos Aires

myself on a bench in the Tuileries

having walked endlessly

trying to find the words—

“It began in a world out of time,”

my voice low, although no one 

was close enough to overhear 

“Go on,” insisted the professor—

“A voyage to an island unmapped

that simply appeared 

on the horizon, the explorers eager

to find refuge landed unaware 

on the shores of a place unnamed—"

“Intriguing,” he whispered

and I could imagine his unseeing eyes

cast inward on a vast imaginary realm,

searching already to name what 

language had yet to shape—

“The crew set about exploring,” I continued,

“the sand a gravelly dark pitch, 

gleaming with mica.”

I shut my eyes, seeing what I was trying

to bring to life, “And there were figures,

In the distance, like shadows.”

“Alive?” asked the professor.

“Yes, for they moved suddenly, aware

of the explorers.”

“How many?”

“Only a few, perched on the sand, but

they turned as the explorers began to approach.”

“And? What did they see?”

How to describe? “They were not tall,

their skin leathery. Some had fins

along their spines with webbed feet.

Some had legs, while others

crawled like crabs.

There were horns coming out of heads

with smallish eyes

and mouths with gills.

One had tentacles like an octopus,

another a tail like a long fin.”

“Tritons,” he said, “how marvellous!”

“Tritons?”

“Creatures of Greek myths, born from

the union of Poseidon and Amphitrite;

a sea creature who comes to land.

And then there is the Coelacanth,

long extinct from the time of the dinosaurs.

A cross between a finned fish

and tetrapods.”

Of course he would know.

I went on, “The explorers didn’t dare

move closer, apprehensive. And then swiftly,

the creatures moved,

some into water, others

into the dense scrub along the beach.”

“Ah. Were they seen again?”

“No, it was only a brief sighting

and by day’s end the explorers returned

to their vessels and the sea.”

The professor sighed. “Such an encounter!

I could only dream of such a privilege.” 

But he would never be able to see it.

I had become his eyes,

searching the world for the magic

and adventures he craved.

Instead he would write,

yet another story

in his book of unfathomable,

imaginary beings.

More real to him, than the world

we both lived in.

 

 Elsa Guillaume, Fictions, exhibition, 2023

La Patinoire Royale, Galerie Valérie Bach, Brussels

Multimedia installation

Screenshot 2023-09-26 at 1.03.14 pm copy.jpg
Screenshot 2023-09-26 at 1.03.57 pm copy.jpg
prev / next
Back to Art Stories II
1
Shorter Than The Day, Sarah Sze
1
Lo stupore è nuovo ogni giorno, Gianni Caravaggio
1
Poems for Earthlings, Adrian Villar Rojas
1
Tree Huts in Bruges, Tadashi Kawamata
1
Concert in Reverse, Rebecca Horn
1
The Perfect Love Letter, James Lee Byars
1
Spiral Woman, Louise Bourgeois
1
Lost Words, Chiharu Shiota
1
Women of Antiquity, Anselm Kiefer
1
in flight astro (ii), Wolfgang Tillmans
1
Un Mer de Verre Bris, Claudio Parmigianni
1
Ardna, Mohammed El Hajoui
d7hftxdivxxvm.cloudfront.net copy.jpg
1
Misbah, Mona Hatoum
2
Fictions, Elsa Guillaume

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