cat's claws

Love this! One big cat scratching wall by @oakoak_street_art. 😻

Artwork: by @oakoak_street_art, 2024

The Key

Artwork: Mural by Seth, Palestinian village, 2022

A poignant mural by Seth (@seth_globepainter), painted in a Palestinian village in 2022. Here’s what he wrote about it recently:

“This boy was painted in 2022 in Qalandia, a Palestinian village wedged between two Israeli settlements in the occupied West Bank. The key is an important symbol for refugees. It represents the memory of the home they left and the hope of being able to return there one day.
Today for the population of Gaza in hell, the key evokes not just the bombed-out home, but above all the possibility of escaping death and their unshaken desire to be able to live freely one day.”

Concert in Reverse

Poem/art story based on Rebecca Horn’s installation for the Sculptur-Projekte in Münster, Germany, 1987, Concert in Reverse (Das gegenläufige Konzert): 

in the darkest heart 
of a forest, a turret of stone 
with a pool of black water 
at its centre, flecked 
by impossible stars
sunk deep into 
the bowels of the earth—
they were ordered 
to tie their own noose 
as a serpent wound its
way around a deadened tree
limbs jutting into the bricks
high enough to hang—
the officers with the death’s head
skulls on their lapels, dragged 
the prisoners from their cells 
to an overhanging platform
their black uniforms 
cast in shadows, draped
with sinister wings
by the oil lamps’ flames
while high above a bird pecked
a hammering rhythm, marking 
time with the drops of rain
falling into the watery depth beneath
each sound carved into the silence
awaiting them, their breath 
sucked by fear as the vice 
of death, that twining serpent
ever closer, the ropes finally
hung, waiting to swing
and they took one last glance
upward, a futile escape
the tower open wide to the sky
above, yet what they finally saw
was the light mirrored dark
and endless below

(Rebecca Horn, Concert in Reverse (Das gegenläufige Konzert) 1987/97
Multi-part installation at the Zwinger municipal tower, Münster)

© Angela Jooste 

donkey food

Artwork: Unmute Gaza @unmutegaza Barcelona Action, February 6, 2024, photo: @senyorerre (in support of the photojournalists in Gaza)

Poem for a little girl in Gaza, using some of her words:

who is left?
my parents, she said quietly
who is gone?
my brother and sister
can you sleep?
no, her voice barely above a whisper,
I shake at the noise, any noise
you must be tired?
exhausted and scared, she said flatly
and food? what do you eat?
donkey food, she said eyes dark and
depthless, empty
it’s disgusting, but it’s all we have
she said, with finality
and your home?
what home, she said, turning away
it’s gone

© Angela Jooste

Shinobi

Artwork: Paste-up by @neftnik, "Do not approach…dangerous squatting ninja with attitude”, Melbourne, 2023

Just finished watching House of Ninjas, (season 1), which is great and I highly recommend (learned the real name for ninjas is “shinobi”), and I came across this pretty awesome paste-up by @neftnik in Melbourne. Crouching ninja, “Do not approach”!!!

The Lightning Bird

Artwork: Robin Rhode, The Lightning Bird, (detail) 2022

South African artist Robin Rhode’s artwork combines street art, performance, storytelling, and a wonderful use of ephemeral mark making like chalk drawing, as well as unconventional methods incorporating bicycles and skateboards. In his work The Lightning Bird (2022) he is restaging mythologies to pass stories onto future generations.

He wrote this about his piece: “In some traditions, the lightning bird is believed to be a messenger of the gods, sent to deliver divine justice or punishment to those who have wronged others. It is said to strike down evildoers with bolts of lightning, leaving behind a trail of destruction in its wake.
Despite its fearsome reputation, the lightning bird is also revered for its role in the natural world. In many African cultures, storms are seen as necessary for cleansing the earth and replenishing the land with water, and the lightning bird is seen as a symbol of the cyclical nature of life and the power of renewal.
In some stories, brave heroes embark on quests to seek out the lightning bird, hoping to harness its power for their own purposes. Yet, the lightning bird remains elusive, appearing only when it chooses and disappearing just as quickly, leaving those who encounter it in awe of its majestic and terrifying presence.
In African mythology, the lightning bird serves as a reminder of the awe-inspiring forces of nature and the mysteries of the cosmos, inspiring both fear and wonder in those who dare to glimpse its power.”

To Breathe-Alula, 2024

Artwork: Kimsooja, To Breathe-Alula, Saudi Arabia, 2024

A wonderful installation has been created for Desert X AlUla2024 in Saudi Arabia by Korean artist Kimsooja titled, To Breathe- AlUla. Kimsooja’s installations are often meditative spaces where she engages with the natural environment and the quality of light; blurring boundaries, and exploring ways of seeing where space seems to unfold so that solid surfaces and structures appear fluid and expansive. I wrote an art story of her Yorkshire Sculpture Park installation, also titled To Breathe, 2019. Viewers of the AIUla installation walk a spiral structure where light refracts into rainbows, the sky above, the desert sand beneath. Kimsooja often says in interviews that her interest is in “being nothing/nothingness and making nothing/nothingness”, where breath connects the viewer through the process of inhaling and exhaling with their surrounds, and the work of art itself.  

Kimsooja said this about the Desert X installation: “To Breathe-AlUla” is a reflection on a conceptual and geometrical formation of the AlUla desert landscape. It reflects the movement of wind and the passage of light traversing through the spiral path of prismatic glass surface that becomes a fluid, translucent canvas. Sunlight unravels into an iridescent color spectrum, casting rainbow colored shadows and circular brushstrokes onto the sandy earth. Audiences partake in a contemplative performance by walking through and gazing at the shifting light spectrums, which render visible vibrations of light normally invisible to the naked eyes. A walk in and out of a contained yet open path of spiral unfolds an abstract lightscape that is at once a drawing, a painting, and a sculpture.”

Voice

Artwork: Words by Addam Yekutieli, Israel, 2024

Israeli artist Addam Yekutieli (aka Know Hope and @thisislimbo) whose work I’ve written about before, wrote these words on a wall and commented on the devastation happening in Gaza:

“No more safe zones left.
Harrowing images and testimonies coming out of Rafah. This is a moment that will be looked back upon in history. A threshold moment and a black stain on our collective morality. A moment in which our grief was weaponized to the point that we are rationalizing the decimation of an entire population.
Forget whichever hashtag or catchphrase that triggers your defense mechanisms or any other mental gymnastics routine that obstructs your view of seeing human beings as human beings. Don’t let apathy desensitize and metastasize your heart. Empathy is inherent in us. It is intrinsic and flows in our blood. Don’t lose your humanity and don’t look away. Our silence is complacency.”

Hegra Archaeological Site

Artwork: By David Popa at the UNESCO World Heritage Site of Hegra, AIUla, Saudi Arabia, 2024

Amazing ephemeral earth fresco created by David Popa (@david_popa_art) for the UNESCO World Heritage Site of Hegra (al-Hijr / Madā ͐ in Ṣāliḥ), located in AlUla, Saudi Arabia. David Popa wrote this about the artwork: “It is my largest and most challenging work to date - with each hand stretching over 100 meters in length as they cradle one of most iconic locations in Saudi Arabia. Created with ephemeral, natural materials I am extremely humbled to be part of the I Care campaign which invites the people of AlUIa to be guardians of their heritage and protect the past to build a beautiful, bright future. I am really looking forward to sharing more of the stories and memories of this unforgettable adventure. Stay tuned!”

White blue

Artwork: By Oakoak, White Blue, 2024

Love this nod to Rothko! Street art by Oakoak (@oakoak_street_art), titled White Blue.

Keep on dreaming

Artwork: Mural by Kenny Random, Keep on dreaming…, Padova, Italy, 2019

Keep on dreaming…awesome wall mural by Kenny Random (@kennyrandom) in Padova, Italy. The cat especially makes me smile!

memorised by heart

Artwork: Miniature portrait of Byron believed to have been painted when the poet was 29 years old and living in Venice, c.1817

I came across a story yesterday about a Russian translator and lecturer, Tatiana Grigorivna Gnedich, who in 1944 was arrested and sentenced to ten years in a Russian labour camp for treason to “the Soviet Motherland”. The facts of the sentence are not detailed. Up until that point Tatiana, having been born into a family of scholars and poets, was an exceptional translator and teacher of foreign languages, speaking fluent English and French. Prior to her imprisonment Tatiana had memorised in English the sixteen cantos of more than 16,000 thousand lines of Lord Byron’s epic poem, Don Juan. While in prison she was able to secure paper to write on and accomplished the extraordinary feat over several years of translating the memorised Don Juan into Russian. Upon her release Tatiana’s translation was published and became the classic Russian version of Byron’s poem.

Such an achievement of the human mind speaks of Tatiana’s love of language and brilliance as a translator, but also a strength of will that in such dehumanising conditions she was able to transcend to create something truly remarkable.

During English literature professor and critic George Steiner’s Gifford Lecture at Glasgow University in 1990, he spoke about this story and said, “There is nothing you can do to a human being who is like that. No state can touch this. No despair can touch it.” And what stood out for me were his words, “What you don’t know by heart, you haven’t loved deeply enough.”

the elopement

Artwork: Chalk drawing by David Zinn, the Elopement, 2024, Ann Arbor, Michigan

Another magical chalk drawing from David Zinn (@davidzinn), The Elopement. Very Romeo and Juliet!

Ara

Artwork: Katie Paterson, Ara, 2016

Scottish artist Katie Paterson’s artwork melds a poetic sensibility with philosophical and scientific inquiry. Spanning thematic explorations of nature, geology, technology, and cosmology, Paterson’s research-based projects often involve collaborations with specialists in astronomy, astrophysics, genetics, and nanotechnology. At its core, her work considers humanity’s place on earth and within the cosmos in relation to the concept of time.

I was initially drawn to one of Paterson’s artworks that I wrote an art story for, Vatnajökull (the sound of), 2007-8, where a live phone line was connected to an Icelandic glacier, via an underwater microphone submerged in Jökulsárlón lagoon. For the exhibition’s duration, anyone from around the world could call the number 07757001122 to hear the glacier as the ice melted. The strangeness, immediacy, even audacity of the project showcased another key aspect of Paterson’s work: bringing the viewer and the natural world into a close encounter, scaling what is often immense to an intimate and relatable dimension.

An especially poetic work in its simplicity and evocativeness, Ara (2016), features a string of festoon lights where each bulb produces a luminosity relative to the brightness of every star in a constellation. Ara forms part of a series recreating all 88 constellations, again creating a bridge between the cosmos and humanity; connecting us to what seems unknowable, distant and sublime.

one day, I chose blue

Artwork: Shim Moon-Seup, The Presentation, Acrylic on canvas, 2018

 

A poem inspired by Korean artist Shim Moon-Seup’s painting:

one day, I chose blue

not for any reason

but the feeling

of so many memories

wrapped in the sea

and sky—

from the most intense

hue, to faded light

perhaps it wasn’t

even a choice, it was

simple and right


(Shim Moon-Seup, The Presentation, Acrylic on canvas, 2018)

Give Love

Artwork: by Wabi Sabi (@wordsbywabisabi), Bristol

Scrabble graffiti by@wordsbywabisabi. Give Love. Give. Love. Add Peace into the mix and 2024 sounds hopeful.

Light and Freedom

Artwork: Mural by Millo, Rabat, Morocco, 2023

Street artist Millo recently created this beautiful mural in Rabat, Morocco, for the Rabat Street Art Festival. He wrote this about the experience:

”Rabat known also as the city of light, Ville lumière, it’s the kingdom’s capital and recently also the African capital of culture, with its cosmopolitan elegant avenues and its blend of modern and traditional Islamic aesthetics.

The wall is located on one of the main thoroughfares of the city, on a building mainly occupied by people undergoing oncology treatment due to the nearby hospital.

My character is holding the traditional, intricately patterned, Moroccan lantern, fanoos, from whose butterflies flies freely.

’Light’ and ‘freedom’, two powerful words if you put them together, especially in this so much needed moment.”

Le lac des cygnes

Artwork: OAK OAK Advent calendar day 7/24, Le lac des cygnes, Paris, 2023

As part of the lead up to Christmas, Paris-based street artist OAK OAK (@oakoak_street_art) is creating a street version of an Advent calendar, creating a new work for each of the 24 days. Day 7 was this humorous and poetic work, Le lac des cygnes.

Glider

Artwork: Mural by NEAN, Glider, Wicklow, Ireland, 2023

Starting to feel like summer…great mural by NEAN (@nean_kingdom) titled Glider for The Walls Project in Wicklow, Ireland.