Photo: by Ewelina Dziewiela (@ewelinadziewiela)
Just wanted to share this spectacular sky featuring polar stratospheric clouds in Iceland.
Photo: by Ewelina Dziewiela (@ewelinadziewiela)
Just wanted to share this spectacular sky featuring polar stratospheric clouds in Iceland.
Artwork: SETH (@sethglobepainter), Le bout du tunnel / The end of the tunnel, acrylic and spray paint on canvas, Paris, 2021
A painting of hope from SETH (@sethglobepainter): "Le bout du tunnel" / "The end of the tunnel", Paris, 2021.
Artwork: by WRDSMTH (@wrdsmth)
Totally agree! Artwork by WRDSMTH (@wrdsmth).
Artwork: Yoshitomo Nara, Peace of mind, 2019
Peace of mind.
A short dance work directed by Vincent René-Lortie in collaboration with Jacob Jonas The Company featuring seven-year-old Adeline, alone in a vacant school and her “intimate and exhaustive journey of self-expression as she navigates her emotions through Krump.” Krump is a free-form style of street dance with Afro-diasporic roots, popular in the United States. Adeline’s adaptation is quietly powerful, the film heart-wrenching and poetic.
Handwritten note by Vivienne Westwood, 2019
Wise words from the iconic artist/designer/activist Vivienne Westwood:
“The acorn is happy to become an oak
— Aristotle.
He defines happiness as fulfilling your potential. Follow your deep interest (forget yourself) and become who you are.”
Awrtork: paste-up of griffon by SONAC (@sonac.artwork), Paris, 2019
A mythical griffon photographed in the wilds of Paris! Wonderful paste-up by SONAC (@sonac.artwork) of the fabled half-eagle, half-lion creature imagined and written about for centuries by authors such as Herodotus, Pliny, Marco Polo, Dante and Jorge Luis Borges. And magically brought to life here.
Artwork: Choker, album Peak, 2017
Grand theft auto and love gone wrong—El Dorado, a brilliant song by Choker from his 2017 album Peak. Check it out!
Something hilarious. I’m a fan of OwlKitty (aka Lizzie) @owl_kitty, and the latest parody of Godzilla VS Kong is hilarious.
Artwork: Paste-up by JR (@jr), Palazzo Strozzi, Florence, 2021
Artist JR has created a stunning trompe l’oeil paste-up creating a massive opening in the Palazzo Strozzi, Florence, revealing significant artworks such as Boticelli’s The Birth of Venus, housed in museums that so many have been deprived of seeing because of the pandemic. The project is funded by the Palazzo Strozzi Future Arts Programme that supports contemporary art. Florence is one of my favourite cities in the world, so JR’s artwork and words resonate:
“They say the museums are closed. But it's up to us to open them. Here is Florence, the city of Boticelli, Donatello, Machiavelli and Dante, we opened the Palazzo Strozzi. These last few months, we have been deprived from the possibility to be together ... but we still have the freedom to dream, to create, to envision the future. Maybe, it's not much, but we have that!”
Photo: Yohji Yamamoto (Getty Images)
Inspiring words from artist/designer Yohji Yamamoto:
"Creation is lifework, creation is how...you spend your life, you cannot divide life and the creation, it’s impossible. Shut your eyes, close your ears, don’t use your brain, use your heart, your soul."
Artwork: Painting by @kennyrandom
Wonderful wall by Italian artist Kenny Random (@kennyrandom): “…because we are made of colours.”
Artwork: Yoko Ono, Cloud Piece, 1963/2019, MOT, Tokyo (photo: Keizo Kioku)
For anyone who loves clouds. Yoko Ono’s Cloud Piece (1963), exhibited in 2019 at MOT, Tokyo—
CLOUD PIECE
Imagine the clouds dripping.
Dig a hole in your garden to
put them in.
1963 spring
Artwork: paste-up by WRDSMTH, Los Angeles, 2019
Daily reminder…
Artwork: Marco Godhino, Infinite Circle, 2021 (@marcogodhino24)
A visual Haiku by artist Marco Godhino, Infinite Circle (2021).
Artwork: Yoshitomo Nara, recent sketch, 2021
Yep—feel like hiding from the world in my hoodie today…
At the heart of Tomas Saraceno’s art is the questioning and reorientation of human beings and their experience of the earth, its atmosphere, environments, and non-human species. Saraceno’s practice connects art with life sciences and social sciences to create immersive projects that reimagine a world free from extractive capitalist practices and its impact on the environment.
Saraceno’s participative installation at the Artist Airshow in Gunpowder Park London, 2007, titled Poetic Cosmos of the Breath brought his utopian vision of designing spaces such as cities that float in the air and change forms like clouds, to earth. This beautiful work involved creating a synesthetic experience using a giant dome made from iridescent foil weighted by sandbags that gradually inflated with increasing hot air as the sun rose. It invited people to interact with the natural rhythms of the sun, air, clouds, sky and a shifting rainbow of colours as the foil reflected and refracted light; to explore the boundaries of their perceptions with the natural elements of the earth and its atmosphere; to dream and imagine life lived in a cloud.
FKA twigs, Headie One and Fred again have teamed up to produce this powerful song and video, Don’t Judge Me, which is about being black and British and having to deal with an “invisible oppressor”, namely cultural and institutional systemic racism, forces that are hard to see and act against.
What contributes to the impact of the video is the backdrop of American artist Kara Walker’s installation at the Tate Turbine Hall last year, Fons Americanus, a 13-metre tall fountain inspired by the Victoria Memorial in front of Buckingham Palace, London. The installation subverts the celebration of British Empire and instead parodies the use of such memorials to elevate a narrative built on the hidden histories of the victor’s fortunes built on the transatlantic slave trade, exploitation, racism, and tragedy. Water is a key theme in the sculpture referring to this movement of slaves between Africa, Europe and America. And the figures Walker has sculpted in this faux-triumphal work are grotesque often bloated, throat’s slit, in shark-infested water, lives imperilled, anguished—making visible black children, women and men whose lives have been exploited and erased using the visual language of the perpetrators.
Walker is best known for her black cut-out silhouette wall installations depicting narratives of atrocities committed in the American South, and has said: “I’m gonna take everything I do about power and desire – and use the tropes of the slave narrative or the slave romance, like the antebellum romance, as the way to talk about these themes because this is something that clearly won’t go away. It will just keep being an unaddressed bugaboo in American culture.”
Arlo Parks’ new track Hope from her upcoming album Collapsed in Sunbeams (Jan 29) hits the heart, as does the video which I posted here.
It’s critical to remember what can happen when fascism is unchecked. January 27 is Holocaust Remembrance Day. So I thought I’d share this, Italian artist Eron’s poetic tribute to writer Anne Frank, who died in Auschwitz, and whose diary has been read by countless people the world over.
Remember, because we can’t afford to forget.
(www.eron.it; @eron_artist)